A superb early Murphy Aged 56 Les Paul Goldtop from 2000. Very rare to see these now. They were made for the Japanese distributor Yamano. Realistically and tastefully aged 56's... In excellent condition and it sounds awesome! With original case and certificate.
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The Gibson Les Paul Model as it stood in 1956 is a pure rock’n’roll legend, represented in greater detail than ever before in the 1956 Les Paul Goldtop Reissue. This was not quite where the Les Paul had begun, and not quite where it was going, but a powerful stop along that road that carried plenty of important features that have made this mid-’50s marvel a beloved tone machine to this very day. The guitar still retained its fat, snarling P-90 pickups and a rounded ’50s neck profile that not only feels superb in the hand, but also transmits added string vibration from neck to body to enhance resonance. One of the most significant changes to the Les Paul Model of 1956, though, was the addition of the new Tune-o-matic bridge and stopbar tailpiece—which debuted on the Les Paul Custom two years before—replacing the trapeze and wraparound tailpieces that had adorned earlier versions. The innovative Tune-o-matic—also known as the ABR-1—was the brainchild of celebrated Gibson president Ted McCarty, and set the standard for simplicity and functionality in electric guitar bridge design.
The sonic powerhouse of the 1956 Les Paul Goldtop Reissue remains its two fat single-coil P-90 pickups, beloved since the 1940s for their aggressive midrange, solid low end, and sparkling, silky highs—with that ever so slightly gritty edge for added cutting power. Gibson makes its P-90s today just like it did a full 60 years ago, with two Alnico V bar magnets in each pickup and coils wound with approximately 10,000 turns of 42 AWG wire, for plenty of beef when you hit ’em hard, but crystalline clean tones when you back off the guitar’s volume controls.